Written by:
David Hirson
Opening: December 5, 1997
Closing: December 14, 1997
Number of performances: 8
Time:1654
Setting:
Prince Conti's Estate in Pezenas, Languedoc, France
Synopsis:
The play is set in France in 1654, and revolves around an upheaval in a famous acting troupe. Elomire, the troupe's renowned leader, is furious because Prince Conti, the troupe's patron, is forcing a street performer, Valere, upon them. Elomire finds Valere and his work to be revolting and base, while Bejart, the troupe's second in command, is worried about offending the Prince, and, thereby, losing their patron. Valere is a terrible bore, who loves nothing more than the sound of his own voice, which he amply demonstrates at his first entrance, where upon he delivers an uproariously funny and extended monologue. Elomire can barely withhold his contempt, but Valere is completely unaware of the barbs tossed his way. The Prince arrives, anxious to see how Elomire and Valere are getting along, having high hopes for their union. The Prince feels Elomire's work has grown stagnant and that the troupe needs new blood. Elomire, convinced that Valere will never be able to work in an ensemble situation, challenges Valere to present one of his plays with the rest of the troupe assists as a compatibility test. The strategy backfires, however, as Valere not only works well with the troupe, but the troupe finds themselves enchanted with Valere and his high jinks theatrics. Seeing this, the Prince immediately offers Valere a place with the troupe over Elomire's protests. Elomire, unable to compromise his artistic principles, strikes out on his own.
Performers
| Elomire | Matthew G. Moross | |
| Bejart | Lloyd K. Waiwaiole | |
| Valere | Richard Michael Roe | |
| Dorine | Meg Elliott | |
| Prince Conti | Victor Cahn | |
| Madeleine Bejart | Fulvia Brun Hickman | |
| Catherine DeBrie | Kirsty Hulslander | |
| De Brie | Greg Borucki | |
| Rene Du Parc | Bill Hickman | |
| Marquise Therese Du Parc | Robin Hackett |
Production Staff
| Director | Melissa M. Brown | |
| Producer | Laura Houlihan | |
| Producer | Matthew G. Moross | |
| Ass't Director | Kelly Bird | |
| Ass't Director | Mary Jean Frank | |
| Set Design | Duncan Morrison | |
| Set Construction | Duncan Morrison | |
| Set Construction | Bill Morrison | |
| Set Construction | Rob Taylor | |
| Stage Manager | Laura Houlihan | |
| Costume Design | Jenniver Sparano | |
| Lighting Design | Michael Noonan | |
| Lighting Execution | Tom Rynasco | |
| Lighting Execution | Elyse Dworkin | |
| Lighting Execution | Joel Katz | |
| Lighting Execution | Tom Falcon | |
| Lighting Execution | Cherie Sokol | |
| Properties | Joseph Fava | |
| Properties | Pat Thompson | |
| Properties | Stephanie Brown | |
| Hair | John Fowler | |
| Sound Design | Laurence Frank | |
| Sound | Tom Falcon | |
| Production Dinner | Stephanie Brown | |
| Special Thanks | Brent Griffin | |
| Special Thanks | Patty Pawliczak | |
| Special Thanks | Richard Nacy |
