Written by:
Susan Hill, Stephen Mallatratt
Opening: December 3, 2004
Closing: December 12, 2004
Number of performances: 8
Time:The early 1950's
Setting:
A small Victorian theater in London.
Synopsis:
Eel Marsh House stands tall, gaunt and isolated, surveying the endless flat saltmarshes beyond the Nine Lives Causeway, somewhere on England's bleak East Coast. Here Mrs Alice Drablow lived - and died - alone. Young Arthur Kipps, a junior solicitor, is ordered by his firm's senior partner to travel up from London to attend her funeral and then sort out all her papers. His task is a lonely one, and at first Kipps is quite unaware of the tragic secrets which lie behind the house's shuttered windows. He only has a terrible sense of unease. And then, he glimpses a young woman with a wasted face, dressed all in black, at the back of the church during Mrs Drablow's funeral, and later, in the graveyard to one side of Eel Marsh House. Who is she? Why is she there? He asks questions, but the locals not only cannot or will not give him answers - they refuse to talk about the woman in black, or even to acknowledge her existence, at all. So, Arthur Kipps has to wait until he sees her again, and she slowly reveals her identity to him - and her terrible purpose.
Performers
| Arthur Kipps | Ed McMullen | |
| The Actor | Shawn Hahn | |
| The Woman in Black (uncredited) | Cindy Welch |
Production Staff
| Director | Laura W. Andruski | |
| Producer | Joel Katz | |
| Set Construction | John Birchler | |
| Master Electrician | Ben Brillat | |
| Stage Manager | Kara A. DiCaterino | |
| Set Construction | Diane Ferreira | |
| Special Effects | Scott W. Fields | |
| Sound | Daniel Frintas | |
| Sound Design | John Harvey | |
| Prompter | Laura Houlihan | |
| Master Carpenter | Richard Lenehan | |
| Lighting Design | Michael Noonan | |
| Costumes | Chris Persans | |
| Hair & Make Up | Marcia Lenehan | |
| Ass't Stage Manager | Jillian Weiner | |
| Production Dinner | Debbie May | |
| Special Thanks | Amy Birchler | |
| Special Thanks | Maia Robbins-Zust | |
| Special Thanks | Rik Schlierer |
Notes on production:
Based on the novel by Susan Hill
